So we’ve come at last to the final week of my first ever themed month. This has been a fun little experiment, and I’m sure I’ll do more themed months in the future, but for now, I’ll be honest, I’m looking forward to going back to a variety of types of content.
And since I’m being so honest, I’ll tell you something else – I had no ideas at all for what I wanted this week’s post to be. I had made my plans for this month banking on the fact that October would have four Sundays. But oops! It has five. So while I had plans for all four of the posts leading up to this one, this last week remained kind of a question mark. Until I thought… duh. I’ve talked up and down all this month about specific musicals and songs from musicals I liked, but I haven’t really talked about what it is about musicals in general that is so appealing.
MS FLEMING: “Veronica? Jason Dean told me you just committed suicide!”
VERONICA: “Yeah? Well, he’s wrong about a lot of things.”
MS FLEMING: “Oh… I threw together a lovely tribute, especially on such short notice…”
–“Dead Girl Walking (Reprise)”
After writing a post a while ago on how media consistently screws up its depictions of mental illness and suicide, I got to thinking – are there any examples of media that does the depictions right?
And ruminating on it a bit, I came to the conclusion that a great piece of media that does discuss both of these topics in a way that is constructive without glorifying either is the musical “Heathers.” And since it’s musical month, what better time is there to talk about it?
Back when I wrote the first post for Musical Month, I had a deep inner crisis over which song deserved the number three spot for “Be More Chill.” Though I knew “Do You Wanna Ride” deserved the spot just as a song I enjoy listening to, I also desperately wanted to talk about “I Love Play Rehearsal,” a short, sweet little song that does an absolutely fantastic job of characterizing Christine. In the end, it came down to the fact that I felt like I had a lot more to say about “I Love Play Rehearsal” than “Do You Wanna Ride,” so it merited its own post. This post, actually!
I want to start this post with a slight disclaimer. I think a lot of parts of this analysis are a bit self-indulgent on my part. I think in many cases analysis of things we love can often fall to self-indulgence due to the fact that the things we love very often connect to ourselves in a personal way. I don’t think it’s unusual or detrimental to an analysis to feel a personal connection, but I also think it can make it difficult to see opposing sides of an analysis.
So, wordy apologies aside, I want to talk about Natasha and Pierre. I want to talk about them both individually but I mostly want to talk about their relationship. This analysis will mostly focus on four songs – “No One Else,” “Dust and Ashes,” “Pierre,” and finally, and most importantly “Pierre & Natasha.” So, let’s break this down.
For no real reason other than I thought it would be fun, I’ve decided that October will be Musical Month! All month, I’ll be writing posts about musicals. For the first week, I thought we’d take more general look at musicals and songs from musicals I love.